Natalia Goncharova

  • 27.2.–17.5.2020
Tickets: with a museum ticket
Natalia Goncharovan näyttely Ateneumissa. Kuva: Kansallisgalleria / Jenni Nurminen.

Natalia Goncharova (1881–1962) is known as a central figure in Russian avant-garde art, inspiring experimental artists in both Russia and Western Europe. The exhibition offers a comprehensive overview of the artist’s work from the first four decades of the 20th century. Before coming to the Ateneum, the exhibition is on display at Tate Modern in London and the Palazzo Strozzi in Florence.

Five facts about Goncharova

WATCH THE CURATOR TIMO HUUSKO’S GUIDED TOUR TO THE EXHIBITION

Natalia Goncharova’s bold and innovative work was influential among her contemporaries, crossing the boundaries that typically existed between 20th-century art forms. The exhibition focuses on the artist’s most innovative period from the early 1900s to the 1920s, when she inspired experimental artists in both Russia and Western Europe. The exhibition features more than one hundred works, including a large number of paintings, but also illustrations, costumes, sketches of set designs, and recordings of ballet performances. Almost all the works in the exhibition will be seen in Finland for the first time.

Goncharova’s extensive artistic work was inspired by folk art and religious icons. Her art was also contradictory: Goncharova could at one moment be taking part in a street performance in Moscow with a painted face, and at the next be working on creating religious art inspired by old icons. In addition to visual art, Goncharova designed costumes and sets for Sergei Diaghilev’s famous Ballets Russes. She also created designs for fashion houses in Moscow and Paris, was involved in avant-garde cinema, and provided illustrations for experimental poems.

The exhibition also includes Tarja Ervasti’s light art Motifs from The Golden Cockerel (Le Coq d’or), 2020. Nikolai Rimsky-Korsakov’s The Golden Cockerel was presented in Paris in 1914 as an opera ballet, with choreography by Mikhail Fokin and sets and costumes by Natalia Goncharova. Tarja Ervasti’s installation borrows motifs from Goncharova’s set paintings for the opera’s third act, done in the spirit of Sergei Diaghilev’s lighting design.

The exhibition is organised by the Ateneum Art Museum in Helsinki, Tate Modern in London and Fondazione Palazzo Strozzi in Florence, in collaboration with State Tretyakov Gallery. The exhibition is curated by Timo Huusko, chief curator at the Ateneum Art Museum; Matthew Gale, head of displays at Tate Modern; and Natalia Sidlina, curator of international art at Tate Modern.

Read more from the exhibition’s press release